FESTIVAL DANCERS
Hahbi'Ru Dance Ensemble
DANCE ORIGIN:
Egypt
GENRE: Raqs Baladi, Raqs Sharki CHOREOGRAPHER/DIRECTOR: John Compton First Appearance in SF EDF: 2006 Website: www.hahbiru.com
A republic in North Africa, Egypt’s geography
spans into Asia, contains two deserts (Sahara and Sinai) and was home to the ancient Nile River
civilization. Regarded as the cultural center of the Arab world, its capital Cairo has for centuries
been a renowned center of learning, commerce and the arts. Egyptian culture blends an elemental
earthiness with sophisticated ancient traditions.
While dance has had an ambiguous place in Arab
society, during pre-Islamic times farmer communities known as fellahin, danced at social gatherings and
weddings along the Nile River. The typical dance movements of fast hip shimmies, syncopated hip drops
and broad arm positions were derived from this “dance of the people” or raqs shaabi. Eventually taken to cities, it evolved into a style of folkloric
entertainment known as raqs baladi, or “country dance,” which
began to appear frequently in large theatrical productions. The urban cabaret solo style became shaped
out of these traditions as well. In Egypt, “belly dance” is more aptly called, raqs sharki (translated as “dances of the East”).
The most typically seen belly
dance is the cabaret style popular in Middle Eastern restaurants throughout the United States where
curvaceous women dance with uncovered bellies. In Egypt this style is often performed with women’s
bellies covered by light black gauze, and there is also a tradition of male belly dancing. In the early
19th century when Egyptian women were banned from performing in public, male dancers known as khawals replaced them. They combined elements of male and female
costuming to prevent being mistaken for women. Middle Eastern dancers have also been long admired for
their skill performing with props that are twirled or balanced on different parts of their
bodies.
Hahbi'Ru Dance Ensemble formed in 1991 to preserve older styles of
Middle Eastern
and North African dance. They perform at festivals and
private parties.
2006 PERFORMANCE
TITLE OF PIECE: Ya Ain Muleiyatein (“The Life of
My
Eyes”) CHOREOGRAPHER/DIRECTOR: John
Compton CHOREOGRAPHER OF RAQS AL BALLAS: Rita Aldarucci
and Paul Oxman MUSICE DIRECTOR: Hector Bezanis MUSICIANS: Frank Aviles, Hector Bezanis,
Michael
Caxton, Sandy Hollister, Sean Tergis
Recreating the joyfulness of a community gathering, Hahbi'Ru
Dance Ensemble performs three dances incorporating elements from Egypt’s folkloric and
urban traditions, fusing them with contemporary western staging. The opening dance,
Ya Ain Muleiyatin ("The Life of My Eyes"),
makes extensive use of finger cymbals. Next, Raqs al
Ballaas evokes images of village women transporting water from the local well as
dancers balance water-filled pots on their heads. The final Raqs al Saneiyya culminates into a dramatic improvisational solo with a
heavily laden tray balanced on the head of one of the group’s male leaders.
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