To
celebrate both Mexico’s Bicentennial and the 100th anniversary of the beginning
of the Mexican Revolution, this special commission brings together acclaimed choreographer Zenón Barrón and six renowned local ballet folklórico companies:
Ballet Folklórico
Alma de México of South San Francisco grew out of the Folklórico Dance
Program begun at South San Francisco High School. The company was established
in 1991 under Artistic Director Martin
Cruz and General Director Patricia
Martinelli. Its purpose is to educate the high school’s students and larger
community of the rich history, music, and dance culture of Mexico’s folklórico
dances.
Ballet Folklórico Mexicano de Carlos Morenowas established in 1967 to fill a need for cultural activity among young
Latinos. The company is based in Oakland. Artistic
Director Carlos Moreno, Jr. has been dancing for almost forty years. He
received training locally from many maestros from Mexico, and at the Ballet
Folklórico de Mexico in Mexico City. Dancers in the company have been trained
primarily by Carlos.
Compañía Mazatlán Bellas Artesis the home company ofInstituto
Mazatlán Bellas Artes de Sacramento. IMBA was created in 1998 under the
direction of Yolanda Colosio and Steven Valencia to
train dancers in the art of Mexican folk dance and contemporary ballet. In 2000,
the school established a performing company, which creates many of its own
works. Artistic Director Steven Valencia
studied with Los Decanos de la Universidad de Guadalajara, Sacramento and San
Jose State Universities, Universidad Veracruzana in Vera Cruz, Ballet
Folklórico de México, Zenón Barron, and ANGF (National Folkloric Organization).
Ensambles Ballet Folklórico de San Francisco
was founded in 1992 to preserve the tradition of Mexican folk dance with
quality and authenticity. Under Artistic
Directors Zenón Barrón and Norberto
Martinez, Ensambles’ work has been recognized in the U.S., various states
in Mexico, and China. In 1999, Ensambles began creating and designing
full-scale productions that show the rich tradition and ritual of Mexican
folkloric and dance history.
Los Lupeños de San José
promotes the awareness, appreciation, and understanding of Mexican culture
through traditional and traditionally-inspired folk dance. Founded in 1969, the
company performs a varied repertoire from master teachers on both sides of the
border. A program of the Mexican Heritage Corporation, Los Lupeños—under Artistic Director Tony Ferrigno—has
produced original full-length concerts and collaborations, and toured with
Linda Ronstadt and Mariachi Los Camperos.
Raíces De Mi Tierra celebrates its fifteenth year as one of Sacramento's premier adult
Mexican dance companies. It was founded at CSU Sacramento by Jose and Roxana
Borrego, as a family of college students and alumni dedicated to the
preservation and celebration of Mexican dance. Led by Artistic Director Roxanna Borrego, the company has a strong
commitment to community: it produces and presents performances, hosts
workshops, and teaches folklórico dance in local schools.
Zenón Barrón was born and raised in Guanajuato,
Mexico where be
began his dance training at the age of twelve. He studied with América Balbuena
at the Universidad Autónoma de Guanajuato. He was honored with being selected
to participate in the Cultural Exchange program with Casa Cultural Florencia
Italia in 1980. Later he became a member of the Ballet Folklórico de la
Universidad de Guadalajara
under the direction of Carlos Ochoa. Deciding to further his professional dance
training, he moved to Mexico City,
attending classes at the Escuela Nacional de Bellas Artes while a earning a
degree in Dance Instruction. He was subsequently accepted as a member of the
world famous Ballet Folklórico de México de Amalia Hernández. Moving to San Francisco in 1992, he founded Ensambles Ballet
Folklórico de San Francisco.
2010 PERFORMANCE
Title:El México Revolucionario Musicians:Grupo Experimental de Música
Folklórica Vinic-Kay—Fernanda Bustamante, Joe Constancio, Manuel Constancio, José
Roberto Hernández, Tom Lepps DANCERS: Ballet Folklórico Alma de México of South San
Francisco -
Martin Cruz, Sergio Gutierrez, Adelina Lara, Patricia
Martinelli, Michelle Morales, German Reules, Ivan Rodriguez, Juliana Vazquez; Ballet Folklórico Mexicano de Carlos Moreno - Francisco Arevalo, Eloisa Diaz, Moriah
Fregoso, Olivia Grajeda, Maciel Jacques, Carlos Moreno, Lisa Moreno, Luis
Paniagua, Itza Sanchez, Antonio Sanchez; Compañía Mazatlán Bellas Artes - Dominique Adams, Rebecca
Almenza, Zulema Balderas, Jose Bercerra, Diego Campos, Elizabeth Lizardi,
Ricardo Pina, Steven Valencia; Ensambles Ballet Folklórico de San Francisco - Ricardo D. Acosta, Lupe Aguilera,
Maria Anaya, Salvador Arellano, Meredith (May) Belany, Maricela Benavides,
Diana Chavez, Yamil Elai Fernandez, Linda Gamino, Monica
Giese, Jesus Gomez, Ashley Hernández, Prescilla Lopez, Wilfredo Manalo,
Norberto Martinez, Andrea Parber, Annette Preciado, Jeannette Quintana, Raul
Ramos, Vanessa Sanches, Nayeli Silva, Mario Sosa, Juan Carlos Tovar, Lupita
Troncoso, Sandra Valadez;Los Lupeños de San José - Marco Chavez, Yvonne Dominguez, MandyRose Gutierrez, Arturo Magaña,
Gerardo Silva, Eduardo Torres, Jessica Torres, Malena Vega; Raíces de Mi Tierra - Irma Abella, Angélica Hernández, Abelina
López, Manuel Pérez, Alvaro Ramírez Vidales, Osvaldo Ramírez Vidales, Salvador
Rodríguez, Lorena Ruedas, Antonio Sarabia, Laura Ward
In 1910, the
Mexican working class began their long battle for land reform against wealthy
landowners and the corrupt government of Porfirio
Díaz. Folk songs called
corridos emerged from this struggle: they sing the praises of revolutionary
heroes and courageous women soldaderas who fought alongside their
husbands, brothers, and sons.
Zenón Barrón, also a 2010 Festival panelist, presented five corridos in El MexicoRevolucionario,
accompanied by Grupo Experimental de
Música Folklórica Vinic-Kay: Fernanda Bustamante, Joe Constancio, Manuel
Constancio, José Roberto Hernández, and Tom Lepps. Carabina 30 30 opens, followed by original choreography in grand
ballet folklórico style:
Vals de los Curros,
from Mexico City, shows young aristocrats living in luxury, in contrast to the
social classes fighting for reform.
Corrido de Francisco Villa is a song from the northern part of Chihuahua in Parral
about legendary Mexican revolutionary leader Francisco (Pancho) Villa. Villa's
attempt to overthrow Porfirio Díaz was a battle for social rights, not to seek
the presidency:
Aunque nunca estuve sentado en la silla, no envidiaba la
presidencia. Even though I never sat in the chair, I did not envy the
presidency.
Las Soldaderas, a song
from both northern and southern Mexico, celebrates the Revolution's famous
women soldiers. These women joined the troops to play crucial roles in the
fight for independence—from cooking to bearing arms.
La Muerte de Emiliano Zapata honors Emiliano Zapata who formed and commanded the
Liberation Army of the South and fought beside the peasants for their liberty
and rights until his death:
Abril de mil novecientos diecinueve, en la memoria en aras del campesino como
una mancha en la historia April of 1910, you will remain as a spot in history in the
memory of the
farm worker