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FESTIVAL DANCERSMurphy Irish DancersDance Origin: Ireland Murphy's Irish Dance Company was founded in 1963, and is run by mother-daughter team Mary Jo Murphy-Feeney and Patricia Feeney-Conefrey. Mary Jo Murphy-Feeney first learned Irish dancing in her kitchen on Second Avenue, from her mother Hannah O’Sullivan from Country Cork, Ireland. The school now immerses generations of students in dancing, singing, language, art, and other aspects of Irish tradition. Company dancers perform frequently in the Bay Area and internationally, and they have won western regional, national, and world titles. Tir Na nÓg was choreographed by Patricia Feeney-Conefrey for this 2009 performance. 2009 PERFORMANCEMurphy Irish Dancers present Tir Na nÓg, a suite of Irish dances based on a fairy tale. Tir Na nÓg is a magical island beyond the edges of the map, a place of eternal youth and beauty, music, strength, and life. An immortal Celtic princess, Niav ("Neev") of the Golden Hair, skims across the waves on her magical white horse; but she can never touch the ground, or the weight of her lost years would crush her. This bittersweet theme—the passage of time—is celebrated in today's performance across the generations. Murphy's youngest students are joined by adult dancers who began with the company twenty-five years ago. The story begins with Oisin ("O-sheen"), the graceful and strong son of the Celtic king Finn McCool. Murphy's young soloist performs a reel as he explores the Irish countryside. At the crossroads, he meets villagers who celebrate with a traditional set dance. Next, a hypnotic slip jig celebrates the meeting of the prince and princess. Niav has been searching for her prince for seven years. The couple falls in love, and, Naiv brings Oisin home to Tir Na nÓg, where flowers always bloom, and no one suffers illness, age, or death. At her golden castle, banner-carriers welcome the couple by dancing a 12-hand figure reel. Crowds gather for the festivities, and the wee flowers and wee brownies dance an Irish jig. Countless years pass, and finally Oisin longs to see his homeland. Niav lends him her white horse, but she warns him not to set foot on the soil of Ireland, or all his lost years will fall upon him. When he reaches Ireland's distant shore, Oisin recognizes no one; he has been away for so long. He races around with such anger that he falls off the white horse, stomps to the treble reel, and becomes an old man. Luckily, St. Patrick is wandering through Ireland right then: he keeps Oisin alive long enough to dance a celebration for the ancient king. 2008 PERFORMANCE
Journey Through Ireland is a lively sequence of Irish step dances performed to the lively tunes of musicians Lew Milligan, Richard and Melissa Lundy, and Elisa Welch. The dancers kick it off with a traditional figure dance, to evoke the valleys, rivers, and bridges of Ireland. The junior dancers quicken the pace with intricate reel steps, and a favorite céili, piece, Trip to the Cottage. Next, the wee dancers show off their light-footed traditional jig. Then we move from the old to the new, to the stark rhythm of dancing feet—the syncopated reel steps of Riverdance, Celtic Rhythm. The young men show off their strength in Lord of the Dance, and all dancers join for the Treble Reel. 2005 PERFORMANCE
For the 2005 Festival, the Murphy Irish Dance Company performs a collection of traditional Irish dances. Through the use of lines and circling formations, the opening Figure Dance alludes to rivers, valleys and other locations reminiscent of Ireland. Following is a "soft dance" in the unusual 9/8 time, called a Slip Jig. Junior team members continue with a traditional Céili, while the wee ones perform an Irish Jig. The ensemble concludes with a progressive Treble Reel done partially without music to emphasize the catchy rhythms. |
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