World Arts West
SF Ethnic Dance Festival
People Like Me
Chinese PAA dancer

 

 

FESTIVAL DANCERS

ONG DANCE COMPANY

NATIONAL/ETHNIC IDENTITY: Korean
ARTISTIC DIRECTOR: Kyoungil Ong
First Appearance in SF EDF: 2005
Website: www.ongdance.com

The Korean Drum Dance was first performed during the reign of King Seongjong in the 15th century, and was later popularized during the late Chosun period of the 19th century. The roots of this dance date back to the 10th century through a legend that is told of a high-ranking official named, Yi Hon, of the Goryeo Dynasty (918-1392), who found a piece of wood on the seashore where he was exiled and made a drum out of it. This drum, the Janggo drum, had such a resounding sound, it inspired people to dance and drum.

This drum is believed to be the first drum introduced to Korea from China, adding color and variety to Korean dancing. The reverberating, strong, and solid sound of the drum reflects the deep earth that is hard and firm. Complementing this are the graceful movements of the female dancers who express the earth's blessing and joy.

Kyoungil Ong, the director of Ong Dance Company, grew up dancing since the age of four, in Seoul, Korea. She was a lead dancer for the National Dance Company of Korea, and has toured in over 30 countries in the Americas, Asia, and Europe. Ong Dance Company was developed as a way to shine light on Korean culture in the Bay Area, and to give local Korean immigrants and Korean Americans a chance to express themselves and connect with their cultural heritage through the arts.

2005 PERFORMANCE

TITLE OF PIECE: Korean Drum Dance
CHOREOGRAPHY: Kyoungil Ong
PRINCIPAL DANCER: Yun-jung Yoo
DANCERS: In-Jeong Kim, Ji-hye Lee, Sun-Young Lyu, Kyoungil Ong, So-hee Park, Ji-Kyung Yoon
MUSICIANS: Jae- Hong Jin, Kyung-wook Jung, Sarah Moon

Ong Dance Company performs the Korean Drum Dance, which uses several sets of dragon-shaped small drums hanging on three sides of the dancer, on a carved wooden frame. One drum is hung at the center, and two on the sides, so the drum is open to the audience to reveal the movements of the dancer pounding the drum in rhythmically complex and syncopated phrases. Elegantly dressed, the dancer applies all parts of her body to make the sound of the drum, and incorporates graceful yet powerful acrobatic movements. This is symbolic of the merging of spirit on earth.

The costume worn for this piece is the traditional hanbok consisting of fabric that creates straight lines and smooth curves. Women wear short jackets and long skirts, men wear trousers, a vest and jacket. Traditional these would be in all white, or very colorful for special occasions, and recently different styles of the hanbok have been altered to better suit practical everyday comfort.

The choreography of this piece by Kyoungil Ong has been supported by a Choreography Commission Award from the San Francisco Foundation.

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